it feels like we're ready to crack, these days, you and I
Well into his stride, Ronin is just about to get into the let me welcome you into my haunted house portion of the intro when a hand closes around his wrist. He doesn't know how Remi's touch manages to feel both warm and cold at the same time, but there it is, and he freezes automatically and furrows his brow towards the other man. "I can't imagine," he says, voice lowering to something soft, the sort of timbre reserved for injured animals or delivering bad news.
It's a perfect segue for Ronin to delve into how they always ensure to respect the property and any spirits they might encounter during their episodes, and how they are merely there to interact and learn, not to provoke or anger. And the camera eats. it. up.
Once the first cut! is called for, the crew all but gushes over Remi and his ominous and gloomy interruption, Ronin giving his shoulder a gentle bump with his own. "Nice touch," he agrees. "Let's both get kitted out with a Go-Pro. I've gotta do a few more boring bits of narrative and we'll get a few shots in and around the house, but then we can try some on-camera contact shit. You want to stick around or go get acquainted with the place?"
It's a perfect segue for Ronin to delve into how they always ensure to respect the property and any spirits they might encounter during their episodes, and how they are merely there to interact and learn, not to provoke or anger. And the camera eats. it. up.
Once the first cut! is called for, the crew all but gushes over Remi and his ominous and gloomy interruption, Ronin giving his shoulder a gentle bump with his own. "Nice touch," he agrees. "Let's both get kitted out with a Go-Pro. I've gotta do a few more boring bits of narrative and we'll get a few shots in and around the house, but then we can try some on-camera contact shit. You want to stick around or go get acquainted with the place?"
when it's just the two of us, only the two of us, I could die
