When the reaper comes knocking at my door, we'll be going twelve rounds
"Haven't I?" he challenges gently, copper glinting boldly against the sea glass trying to recapture a shine amid a storm. "You've dismantled one of your original rooms, for me." Once, he'd feared that he'd have no place in her life except as another fixture in her long hallway of friends and orante doors keeping long and deep relationships. He thought himself too freshly made, newly added among such proof of history and detail that there'd be no hope that she'd keep finding a reason to come to his door when she had so many others. She had a mansion, after all, when he'd only ever had a room. He'd diligently closed off his worry. He tried to edge around it and keep from opening it, but it'd rattle in the wind or whenever too many of the other rooms open and shut, pressure shaking the frame.
When she'd finally opened up Jack's room and cleared it out, letting the space become something new, it'd done something similar for him and his lock. The single action hadn't been the only thing, but the proof of it, among so many other layers of reassurance and opportunities to wander the hallways with her, it slid neatly into place like a key he hadn't realized he needed. What felt like tiptoing through her house, her life, quickly proved to be as much his as he'd dare to make it. "Although I still think we should turn it into a bathroom," he says with just a touch of humor. They've no need for a bathroom, but it would undoubtedly be satisfying to piss in a place that'd once been reserved for her past lover.
The mention of Floratopolis earns a swift laugh. It's absurd in the best way. "Well, Floratopolis is definitely all yours, and that's how it's meant to be. Anyone who disagrees with that can get the fuck out. That place is not meant to be changed by others." His grin dims. She's doing it again. She's shouldering all this damn blame. "Wildering house, Torchline, they are not Floratopolis." A pause, then he tacks on. "The Sugar Tide comes close. If only because you've run out of room to fit anything else. Which is smart, to make Floratopolis able to exist in international spaces. Strengthens your position, really."
He tries to keep it light, framing what he says with the silliness of a longstanding joke, and that doesn't remove any of its meaning. She's drawing in again, though. Her fingers rub against his hand like there's a rough spot there she can smooth out. He lets her, hoping she'll discover it's already polished smooth. It's always better to feel it for yourself than be told. What she says next, tucked into the creases of his hand and the friction she puts there, thickens his throat for just a moment. She means it, he knows she does. Every offer isn't one extended carelessly, no matter the cost. She'd do any of it. All of it. She'd give up Floratopolis, if it came down to it, because it's never what she's actually wanted.
A smile flares out, more sad than delighted, but it fills the shape of his mouth as it parts around a huff of disbelief. Abruptly, he flops back, the top of his head hanging perilously off the safety zone of the bed. Her feet squish in the bow of his lower back, though she'll be adjusted momentarily, because his hands stay locked in hers. He pulls her along with him firmly, uncaring of the spill of snacks and the skew of sheets as legs and bodies shift about. Nothing matters beyond pulling her close to him. He practically wants to crush her against him, see if it'd break these doubts into pieces that could be blown away. Around them, the walls leap to life in a display of Wildering house. They show a roaming through the different areas, because it's all too grand to display on just the few walls here. In every space, he lets the familiar come through, though they aren't exact. "I promise," he says with a fierceness that scarcely requires volume to fill the space between them, "to always leave marks on your life." One hand struggles to free itself, reaching up beneath the curtain of golden curls. It brushes roughly across her cheek, the force of conviction unable to gentle even for this, then sinks into a sharp grip within the depths of her hair. "You better do the same for me." He doesn't ask, he demands. There is little more he could want than constant reminders of her being part of his life. It's why the walls show their home imperfectly from what it is now. It shows wear and tear of time, of them. Artwork they don't own yet, hung up. Books that haven't been written put up on the shelves. New plants sprawling out, grown from the smaller versions of them now. She's painting the house like a grave, but he's never known living before those halls.
When she'd finally opened up Jack's room and cleared it out, letting the space become something new, it'd done something similar for him and his lock. The single action hadn't been the only thing, but the proof of it, among so many other layers of reassurance and opportunities to wander the hallways with her, it slid neatly into place like a key he hadn't realized he needed. What felt like tiptoing through her house, her life, quickly proved to be as much his as he'd dare to make it. "Although I still think we should turn it into a bathroom," he says with just a touch of humor. They've no need for a bathroom, but it would undoubtedly be satisfying to piss in a place that'd once been reserved for her past lover.
The mention of Floratopolis earns a swift laugh. It's absurd in the best way. "Well, Floratopolis is definitely all yours, and that's how it's meant to be. Anyone who disagrees with that can get the fuck out. That place is not meant to be changed by others." His grin dims. She's doing it again. She's shouldering all this damn blame. "Wildering house, Torchline, they are not Floratopolis." A pause, then he tacks on. "The Sugar Tide comes close. If only because you've run out of room to fit anything else. Which is smart, to make Floratopolis able to exist in international spaces. Strengthens your position, really."
He tries to keep it light, framing what he says with the silliness of a longstanding joke, and that doesn't remove any of its meaning. She's drawing in again, though. Her fingers rub against his hand like there's a rough spot there she can smooth out. He lets her, hoping she'll discover it's already polished smooth. It's always better to feel it for yourself than be told. What she says next, tucked into the creases of his hand and the friction she puts there, thickens his throat for just a moment. She means it, he knows she does. Every offer isn't one extended carelessly, no matter the cost. She'd do any of it. All of it. She'd give up Floratopolis, if it came down to it, because it's never what she's actually wanted.
A smile flares out, more sad than delighted, but it fills the shape of his mouth as it parts around a huff of disbelief. Abruptly, he flops back, the top of his head hanging perilously off the safety zone of the bed. Her feet squish in the bow of his lower back, though she'll be adjusted momentarily, because his hands stay locked in hers. He pulls her along with him firmly, uncaring of the spill of snacks and the skew of sheets as legs and bodies shift about. Nothing matters beyond pulling her close to him. He practically wants to crush her against him, see if it'd break these doubts into pieces that could be blown away. Around them, the walls leap to life in a display of Wildering house. They show a roaming through the different areas, because it's all too grand to display on just the few walls here. In every space, he lets the familiar come through, though they aren't exact. "I promise," he says with a fierceness that scarcely requires volume to fill the space between them, "to always leave marks on your life." One hand struggles to free itself, reaching up beneath the curtain of golden curls. It brushes roughly across her cheek, the force of conviction unable to gentle even for this, then sinks into a sharp grip within the depths of her hair. "You better do the same for me." He doesn't ask, he demands. There is little more he could want than constant reminders of her being part of his life. It's why the walls show their home imperfectly from what it is now. It shows wear and tear of time, of them. Artwork they don't own yet, hung up. Books that haven't been written put up on the shelves. New plants sprawling out, grown from the smaller versions of them now. She's painting the house like a grave, but he's never known living before those halls.
Kaisel
I ain't afraid to bleed, there ain't a casket strong enough for me
Wearing a watery blue, faded and stretched-out sparkling hair tie on his left wrist








